IT IS MUCH MY BEST PLAY. AH, WHEN I WROTE IT, I HAD SOME NERVE.
George Bernard Shaw, 1894
In the Preface to the first published edition of Mrs Warren's Profession, 1888, Shaw declared, "Prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing and overworking women so shamefully that the poorest of them are forced to resort to prostitution to keep body and soul together."
Into this rather somber initiation of censorship, and the first imprisonments for Suffragette martyrs in 1913, we find the characters of Shaw's superb play enacting the rather tragic meeting and parting of a mother and daughter who can never be at ease with the other's 'profession'. Vivie, young, bright, lithe, having successfully navigated her Cambridge Mathematical Tripos, a Lady no less, must come to terms with having been funded and cossetted as a direct result of her mother Kitty's stakes in the oldest profession in the world.
And then the stage lights dim, and our breath catches on the imposing sets, the heath beyond, the vivacious bloodred brocade of Felicity Kendal making her entrance regally, minxily (she manages both), and I have a desire to leap on stage and clap like a maniac. You know I don't get out much, and I was in the front row. FRONT ROW!! 'Twas all I could do not to participate...
I bided my time. Hours later, many weary chapped hands later, Mum, Victoria and I hung about slavishly, for autographs. We were stationed rather neatly between front reception and stage door. I snagged Mark Tandy and David Yelland outside the stage door, with a winning smile and a shared eyebrow snooted to the dripping rainsky. Scurried back inside only to find the deliciously tiny Felicity Kendal nipping for the door (and freedom) with her little dog. Unh ah. You don't get away from the Tayabalis and the Kingsley-Pallants that easily. Oh she was so very gracious, and signed and signed, and I told her about being in hospital all year and how seeing her perform so magnificently had been such a treat, and she hoped I was better now... And on my return home I created her a card with calligraphic chinese paintings and poems woven into it. Do you think she'll like them? I left it with the stage manager today. I hope my words find their way to her; I hope they make her smile.