HAFTSEEN

It’s Navroze today, the 21st of March. Spring equinox. That daffodil time of year. A good Iranian creates a beautiful haft-seen table, as described in this article perfectly. ‘Haft’ is seven in Persian, and the seven objects to be displayed all begin with the Persian letter ‘seen’ … S.

It’s not a big Parsi thing as far as I recall? And not a practise we have ever engaged in as a family, but it does look delightful when done… as would any feast table at iftar, Eid, Diwali, Passover and Christmas… beginnings, middles, ends of years. The seasons are scuttling by faster than ever, humans are humaning so fast that we have already ushered in the dawn of our intelligence companion - dear old Chat GPT, invisible amanuensis, ever ready with a thoughtful answer, memory ever updating. Feeding us and fed by us. An Additional Intelligence. 

I mentioned in a previous post that I had been attending poetry workshops once a week… in January, I began attending a God Fellowship course in tandem with studying the Hebrew Bible with Hadar Cohen, a mystic Arab Jewish scholar, who possesses that rare ability to invite deep spiritual and spirited thought by the quality of her listening. In Hadar’s case, the peace she creates is secondary to the justice and universal liberation she works for.    

Listening is an art we aren’t encouraged to practise. It’s the talkies we like to engage in. Chatters by nature, our opinions have become currency. The radio has been replaced by podcasts and Instagram can be dipped into all day long. I love podcasts. I think I’m subscribed to over one hundred and sixty! I have uncounted tabs open on my various devices, an enormous list of movies/ documentaries to be watched and partially read books glower at me, reproaching their once loyal, now absentee friend.

I like to think I will make a longed for return to reading. I like to think I will attend to my patiently waiting novel. My yoga mats stretch out, hopeful in purple and pink… but… early this morning, a song rang out loud and conspicuous - ‘Pretend you’re happy when you’re blue!’ - and I knew Dad had not slept, was desperate for a cup of tea and company. The sun caught him out the other day, as he soaked up rays in the doorway. He fainted and Mum had a tricky time trying to manage him back to bed, and then, when he still hadn't fully regained consciousness, down to the floor - I was at the hospital having an infusion. The paramedics arrived and were brilliant, but Mum had already wrenched her back by then. Dad’s ok, Mum’s ok … Nat King Cole sets the tone… and I, trying not to cry most of the time, keep quilting the patchwork of my days, a haft seen of its own.

(Images of the Haftseen above are by Pauline Eleazar for Savoir Flair)

(Hadar Cohen can be found at her own website and at Malchut, her Jewish Mystical School)

EVEN MALEFICENT

I hold my face in my two hands,
 and the rest of me falls apart.

So I hold my feet in my two hands,

 and now I am on the floor.

Oh not this again, 

me longing to fly.

Searching for wings, 

 I find torn flesh, 

this too, ripped,

 by two hands.

Nameless men, named men. 

 Even Maleficent 

took lifetimes of loneliness, 

to find her wings again. 

© Shaista Tayabali

at DVerse Poets

image from Allure magazine

ICARUS IN REVERSE

I want to be impressive 

and say I met a mountain once,

or a pyramid, or the desert -

but the truth is the sea scares me 

and the only landscape I know 

lies beneath me; 

my bed. My panicked heart. 

I iron over my panicked heart,

flat as sheets of hair

you can buy these days, and

attach, like a doll’s accessory 

to your own bemused scalp -

whose stories have crossed rivers 

you’ll never know.

Be sure there was sadness there,

you’ll never know.

No one parts with their hair 

when it ripples freely; freedom 

was paid in the sacrifice. Who

pockets the coins of gold

in the temples of our prayers?

The first women who wrote poetry 

were nuns, some say. But the 

first woman was earth, was sea,

was fire flooding air, is still

every tree. I want to be impressive?

Why? Every tiny seed is me.

The sorrow is I forget my wings 

and falling, fail to rescue me. 

(Images: via Lucy Campbell art on instagram After Bruegel, Landscape with the Fall of Icarus (Musées Royaux des Beaux-Arts, Brussels)

Participating in DVerse Poets Open Link night 

PALINODE TO FLIGHT

‘New Year met me somewhat sad,

Old year leaves me tired’ - Christina Rossetti

Bird on a wire.

Bird on a tree.

I see you.

Do you see me?

Blink and I’ll miss you.

Squint and you’ll see me.

I, in a taxi, unable to drive.

You, wingèd beastie, fly. 

Fly!

Down among the chimneys,

we burn and kill each other.

Friendly slaughterhouse,

we marry and charm each other.

Trees grow down here, their 

roots our only saving grace.

Mycelium drip feeds our lungs - 

we live, we breathe; sip by sip, 

we make space. 

© Shaista Tayabali, 2025

This, an attempt at a palinode (a song of opposite ideas, or retraction of opinions) is what I wrote in the taxi on the way to the hospital yesterday for an infusion I missed on Sunday. I slept through Sunday’s infusion appointment time, still so fatigued from the weight of last year. 

In this poem, I begin with height and flight, but also shorter staccato lines, and then it takes a turn, a descent, a swoop down into the mire and murk of being human. I try towards the end to invite the idea of space, which is what birds have in abundance, and what we seem to devour with our selves, our industry and our tech. Trees, as always, save us, both reaching down and reaching up. Trees have no need for palinodes. Except when they are on fire… 

(Images : Dante Gabriel Rossetti, 1828-1882)

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